Separating a loop seam from audio texture

Jackoi

I am making a practice track for a dance class with spoken counts over generated instrumental backing. The opening bars contain a buzzing edge just before the first movement starts. Reliable counts and audible rhythmic markers matter most because people will use this to practise a sequence. I encountered remove suno artifacts while researching the buzz, and I want to evaluate any processing against that practical requirement. A reduction in buzzing might help, but I still need to establish whether the timing cues survive any processing. Would you compare the count-in and the first full phrase at the playback level used in class? Holding the spoken layer fixed should make changes in the backing easier to judge. The check would include the downbeat and sharp rhythmic cues, rather than focusing only on the buzzing. Which timing change would make you reject a processed version even if its background sounded cleaner?